
The Crossing Featured in New York Times’ “25 Best Classical Music Tracks”
The Crossing’s performance of Eriks Esenvald’s Earth Teach Me Quiet, is named among the New York Times “25 Best Classical Music Tracks of 2020.”
The Crossing’s performance of Eriks Esenvald’s Earth Teach Me Quiet, is named among the New York Times “25 Best Classical Music Tracks of 2020.”
The Tallis Scholars’ newest recording of Josquin Desprez’s Masses is an Editor’s Choice at Limelight magazine.
Sō Percussion’s Jason Treuting brings the chordstick and more to Swift’s highly acclaimed second release of 2020.
Nonesuch Records releases its second album from composer Caroline Shaw, Narrow Sea, on January 22. The title piece was written for Sō Percussion, Dawn Upshaw, and Gilbert Kalish in 2017.
The Crossing’s 2020 release, Carthage, has received a Grammy nomination for Best Choral Performance.
Owain Park and The Gesualdo Six have won the Limelight Vocal Recording of the Year 2020 for their album Fading.
Composer/soprano Héloïse Werner has expanded her brilliant lockdown invention for Gesualdo Six.
Alex Ross profiles the Spektral Quartet for The New Yorker, calling the group’s new album a tour-de-force.
The Tallis Scholars’ latest recording of Josquin Desprez’s Masses is an Editor’s Choice at Gramophone magazine.
Both The Tallis Scholars and Vox Luminis are among the “10 best choirs in the world” according to BBC Music Magazine.
Helen Charlston and Toby Carr, along with members of The Gesualdo Six, perform a work from Monteverdi’s Lamento della Ninfa.
The Tallis Scholars survey of Josquin Desprez’s Masses can be heard on Gramophone‘s The Listening Room.