Vox Luminis is a Belgian early music vocal ensemble created in 2004 by Artistic Director Lionel Meunier. The ensemble performs over 60 concerts a year, appearing on stages in Belgium, across Europe and around the world. Since its inception, the ensemble has been defined by its unique sound, appealing as much through the personality of each timbre as it does through the color and the uniformity of the voices. The size and composition of the group depends on the repertoire, with the core of soloists, mostly from the Royal Conservatory of the Hague, often joined by additional performers. The repertoire is essentially Italian, English and German and spans from the 16th to the 18th century.
Founded in 1997 by Baroque scholar and harpsichordist Andrea Marcon, the Venice Baroque Orchestra is recognized as one of the very finest period instrument ensembles. The Orchestra has received wide critical acclaim for its concert and opera performances throughout North America, Europe, South America, Japan, Korea, Taiwan, and China, and has appeared in many more cities across the United States than any other Baroque orchestra in history.
The Van Kuijk Quartet’s international accolades boast First, Best Beethoven and Best Haydn Prizes at the 2015 Wigmore Hall International String Quartet competition, First Prize and an Audience Award at the Trondheim International Chamber Music Competition, as well as becoming laureates of the Aix-en-Provence Festival Academy. They were BBC New Generation Artists from 2015-17 and joined the prestigious ECHO Rising Stars roster for the 2017-18 season.
The crystalline voices of Trio Mediaeval have captivated audiences since the group was founded in Oslo in 1997. The Grammy-nominated trio’s core repertoire features sacred monophonic and polyphonic medieval music from England, Italy and France; contemporary works written for the ensemble; and traditional Norwegian, Swedish and Icelandic ballads and songs. The group’s fruitful relationship with the legendary ECM Records, collaborative spirit, and busy touring schedule has earned them worldwide renown. “Singing doesn’t get more unnervingly beautiful,” wrote Joshua Kosman of the San Francisco Chronicle, who declared their San Francisco debut “among the musical highlights of the year.” He added, “To hear the group’s note-perfect counterpoint – as pristine and inviting as clean, white linens – is to be astonished at what the human voice is capable of.”
Founded in Paris in 2009, Trio Karénine bears the name of Tolstoy’s beautiful and emotionally honest heroine. The trio is acclaimed by critics and audiences for its musical integrity and passionate interpretation, and was the top prizewinner at the ARD International Competition in 2013, including a special prize for the best interpretation of Space Jump by Fazil Say. The ensemble received the prestigious Nordmetall-Ensemble Prize from the Mecklenburg-Vorpommern Festspiele in 2015 for its interpretation of Schubert’s “Trout” quintet, performed with bassist Laurene Durantel and violist Krzysztof Chorzelski (Belcea Quartet). Trio Karénine received the first prize at the International Chamber Music Competition in the Netherlands, is a laureate of the Joseph Haydn Competition in Vienna, and the recipient of the prestigious “Banque Populaire” grant. The trio is also a laureate of the Maurice Ravel Academy and the Charles Oulmont Foundation, and was unanimously awarded the International Pro Musicis Prize in Paris.
The Tallis Scholars were founded in 1973 by their director, Peter Phillips. Through their recordings and concert performances, they have established themselves as the leading exponents of Renaissance sacred music throughout the world. Peter Phillips has worked with the ensemble to create, through good tuning and blend, the purity and clarity of sound which he feels best serve the Renaissance repertoire, allowing every detail of the musical lines to be heard. It is the resulting beauty of sound for which The Tallis Scholars have become so widely renowned.
The three-time Grammy nominated Spektral Quartet actively pursues a vivid conversation between exhilarating works of the traditional repertoire and those written this decade, this year, or this week. Since its inception in 2010, Spektral is known for creating seamless connections across centuries, drawing in the listener with charismatic deliveries, interactive concert formats, an up-close atmosphere, and bold, inquisitive programming.
With innovative multi-genre original productions, sensational interpretations of modern classics, and an “exhilarating blend of precision and anarchy, rigor and bedlam,” (New Yorker), Sō Percussion has redefined the scope and role of the modern percussion ensemble, placing it at the leading edge of 21st-century music.
It’s story time … for adults. Spellbinding short stories by established and emerging writers take on a new life when they are performed by stars of stage and screen. Experience the hit public radio series and podcast live for an evening of funny, moving, and unforgettable performances.
For more than 50 years, Jordi Savall, one of the most versatile musical personalities of his generation, has rescued musical gems from the obscurity of neglect and oblivion and given them back for all to enjoy. A tireless researcher into early music, he interprets and performs the repertory both as a gambist and a conductor. His activities as a concert performer, teacher, researcher and creator of new musical and cultural projects have made him a leading figure in the reappraisal of historical music. Together with Montserrat Figueras, he founded the ensembles Hespèrion XXI (1974), La Capella Reial de Catalunya (1987) and Le Concert des Nations (1989), with whom he explores and creates a world of emotion and beauty shared with millions of early music enthusiasts around the world.